Issue 65/66 Spring 1992

Of Knowing and Haunting the World: The Gnostic Art of Brian Catling The Battlefields of Love: Insights in the Work of Roberta Graham The Last Avant-Gardist: John Latham's Holistic Vision The Confines of Power: Denis Masi's Recent Wall-Works Collaborations: An Interview with Philip Glass Mask, Role and Narrative: An Interview with Joan Jonas Departure: The [...]

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Issue 64 Summer 1991

Wicked, Wicked, Wicked: Susan Hiller's An Entertainment Eat Me, Read Me, Burn Me: The Ephemeral Art of Marta Minujin Transforming the Horspiel: The Audio Art of John Cage Language Beyond the Lexicon: The Sound of Poetry of Bob Cobbing Forum for Freedom: Augusto Boal's Thetre of the Oppressed Action Syndicate: A Few Small Nips Laurie [...]

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Issue 63 Mar 1991

The Poetry of the Personal: In Conversation with Yoko Ono Glasgow Glimpses: Four Views of the National Review of Live Art Frontiers of Freedom: Notes on Die Endlichkeit der Freiheit Travelling Light: A Meeting with Yoshi Oida Opera Factory: Satyricon Live Art Week Gaby Abis and Company: Pale Shelter, The Place, London Brith Gof: Pax [...]

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Issue 62 Nov 1990

The Spirit of the Hive: Mark Thompson's Invocations Peace On Earth?: Chris Burden's Investigations Veiled Stories: Sophie Calle, Melanie Counsell Plotting: Angela Bulloch, Tim Head, Darrell Viner L'Insaisissable/The Ungraspable Joseph Beuys: The End of the Twentieth Century Jane Mulfinger: Deluge Peter Zegveld: Situaties Anna Homler: The Queen of Ooga Booga Barbara Bloom: The Reign of [...]

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Issue 61 Sept 1990

Locating Goat Island: Converations with Matthew Goulish and Lin Hixson Jeff Koons and the Art of Deal: Marketing (as) Sculpture Bouncing Back the Impulse: An Interview with Richard Foreman Exploring Sexuality Anew: Erotic Films by European Women The Meaning of Ecstasy John Cage: Europera 3 and 4 East Country Yard Show Fran Cottell: Double Interior [...]

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Issue 60 Spring 1990

Drama in the Tatras: Teatr st i witkiewicza Texts for Performance/Performing Texts: Samuel Beckett's Anxiety of Self-Regeneration Free State: In Conversation with Tim Brennan The Voice and the Shadow A Late Developer: The Language of Dance Criticism Scena Plastyczna: Herbarium; Moisture People Show no. 95: The Big Sweep The Practice: The Origin of Table Manners [...]

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Issue 59 Winter 1989/90

Of Cats, Dreams and Interioe Knowledge: An Interview with Carolee Schneemann A Profile of Egon Schrick Ritualism and Renewal: Reconsidering the Image of the Shaman Window on Performance: The Poetics Of Space Harpo's Challenge: Performance Art and the Reinvigoration of Opera Display Teams at Southampton: Divergent Definitions of Performance Station House Opera: The Bastille Dances [...]

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Issue 56/57 Dec-Feb 1989

Showing The Wires: Julian Maynard Smith interviewed The Time Has Come The Walrus Said: Simon Penny on Art in the age of the thinking machine Breaking The Frame: Nick Kaye on the use of extremes in performance art Epilepsy: Performance, Spectatorship and Abjection Talking With a Head: Tina Weymouth has a chat with Peter Culshaw [...]

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Issue 58 Summer 1989

Flux-Hunting: The Uncertain in Pursuit of the incomprehensible? The Big Dipper: The Legacy of Arte Povera The Picturesque Ruins of the Situationist International Reflections: Video Sculpture Past and Present Glanz und Elend: Die Multi-media Kunst von Marie-Lo Lafontaine Dance Away the Frontiers: New Dance Work by Four European Women Nancy Reilly: Professional high Lindsay John: [...]

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Issue 50/51 Nov-Jan 1988

Performance Magazine: a reprise in pictures The City and its Double An A-Z of Order and Change: a poetics of the city The Logic of the Visible: J G Ballard inerviewed Moving Forward and Backward in Time: Cage and Cunningham reconsidered When That Hammer Starts to Beat: The sounds of steelcity Ex-Cathedra: Richard Demarco on [...]

By |2017-04-05T20:16:00+01:00November 1st, 1988|Comments Off on Issue 50/51 Nov-Jan 1988
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