Wicked, Wicked, Wicked: Susan Hiller's An Entertainment Eat Me, Read Me, Burn Me: The Ephemeral Art of Marta Minujin Transforming the Horspiel: The Audio Art of John Cage Language Beyond the Lexicon: The Sound of Poetry of Bob Cobbing Forum for Freedom: Augusto Boal's Thetre of the Oppressed Action Syndicate: A Few Small Nips Laurie [...]
The Poetry of the Personal: In Conversation with Yoko Ono Glasgow Glimpses: Four Views of the National Review of Live Art Frontiers of Freedom: Notes on Die Endlichkeit der Freiheit Travelling Light: A Meeting with Yoshi Oida Opera Factory: Satyricon Live Art Week Gaby Abis and Company: Pale Shelter, The Place, London Brith Gof: Pax [...]
Locating Goat Island: Converations with Matthew Goulish and Lin Hixson Jeff Koons and the Art of Deal: Marketing (as) Sculpture Bouncing Back the Impulse: An Interview with Richard Foreman Exploring Sexuality Anew: Erotic Films by European Women The Meaning of Ecstasy John Cage: Europera 3 and 4 East Country Yard Show Fran Cottell: Double Interior [...]
Drama in the Tatras: Teatr st i witkiewicza Texts for Performance/Performing Texts: Samuel Beckett's Anxiety of Self-Regeneration Free State: In Conversation with Tim Brennan The Voice and the Shadow A Late Developer: The Language of Dance Criticism Scena Plastyczna: Herbarium; Moisture People Show no. 95: The Big Sweep The Practice: The Origin of Table Manners [...]
Of Cats, Dreams and Interioe Knowledge: An Interview with Carolee Schneemann A Profile of Egon Schrick Ritualism and Renewal: Reconsidering the Image of the Shaman Window on Performance: The Poetics Of Space Harpo's Challenge: Performance Art and the Reinvigoration of Opera Display Teams at Southampton: Divergent Definitions of Performance Station House Opera: The Bastille Dances [...]
Showing The Wires: Julian Maynard Smith interviewed The Time Has Come The Walrus Said: Simon Penny on Art in the age of the thinking machine Breaking The Frame: Nick Kaye on the use of extremes in performance art Epilepsy: Performance, Spectatorship and Abjection Talking With a Head: Tina Weymouth has a chat with Peter Culshaw [...]
Flux-Hunting: The Uncertain in Pursuit of the incomprehensible? The Big Dipper: The Legacy of Arte Povera The Picturesque Ruins of the Situationist International Reflections: Video Sculpture Past and Present Glanz und Elend: Die Multi-media Kunst von Marie-Lo Lafontaine Dance Away the Frontiers: New Dance Work by Four European Women Nancy Reilly: Professional high Lindsay John: [...]
Performance Magazine: a reprise in pictures The City and its Double An A-Z of Order and Change: a poetics of the city The Logic of the Visible: J G Ballard inerviewed Moving Forward and Backward in Time: Cage and Cunningham reconsidered When That Hammer Starts to Beat: The sounds of steelcity Ex-Cathedra: Richard Demarco on [...]
Between Windscale and Wordsworth: John Fox interviewed by Baz Kershaw Process and Chaos: J M Findlay watches Tadeusz Kantor in rehearsal Something Material: Nick Kaye on the conflict between producty and process Somebody Should Tell the Emperor: Simon Herbert argues for a return to basics A Series of Changes All The Rage: Malcolm Dickson looks [...]
From Rag-Bag to Riches: Brighton Festival '88 Tina Keane: a profile Taking a Line for a Walk: Marina Abromovic/Ulay interviewed From the Private Wars of Howie Long: recovered from GQ Magazine Speaking Without Ruses: John Roberts on male sexuality The Invisible Man: Notes on male sexuality by Kate Love Under God: Scenes from the End [...]