Doff This Bonnet!: Lumiere and Son reply to last issue's criticism Technological Witch Doctors: Interview with Mark Pauline of Survival Research Laboratories The Camera Is The Only Audience Artists on the Front Line: Philip Wood of Hidden Grin in Nicaragua The Currency Of Art: Profile of JSG Boggs, Money Artist Perfo 4D, or The Artist [...]
Bracknell 87 Hamlet Machine: The unique and improbable co-operation of Ribert WIlson and Heiner Muller When the Tunnel is Built: a journey across Europe The Quintessential European Event: a report on Documenta 87 Behind the Aktion: Elizabeth Jappe interviewed Myths, Monsters and Mutations: the view from Berlin Integrating the Beast: art and politics in Europe [...]
Beating the Live Art Trail: The latest in performance art from Nottingham and Brighton Interview: Steve Reich Anti-Opera Brecht and Pop Magic Flute: ICA's Christmas opera Interview: Robert Wilson Artocracy: The Silvia Ziranek section Dance Fightback British Video A Day in the Life of a Neo-Naturist New York Reviews 3 Mustaphas 3 Performance Art: Does [...]
Close to the Horns: Ross Finn-Kelcey, a profile Artists in the Theatre: a historical outline Entranced by Butterflies: Lumiere and Son - an opinion Furniturisaton: A Suitable Case for Treatment Carnival Logic: An Analytical View Speculation on Memory: Stuart Brisley in Glasgow Imaginez: The Fridbourg 'Belluard Bollwerk' Suspended Animation: The Venice Biennale North V South: [...]
Laurie Anderson: an exclusive interview The Power of Effective Marketing: two views of Jan Fabre at the Royal Albert Hall Performance Artists Clog Ideal Home: An ironic tale Mona Hatoum - Not an Entertainer: a profile of her recent work New Work Newcastle: a report A Day in the Life of a Neo-Naturist: Performing at [...]