Showing The Wires: Julian Maynard Smith interviewed The Time Has Come The Walrus Said: Simon Penny on Art in the age of the thinking machine Breaking The Frame: Nick Kaye on the use of extremes in performance art Epilepsy: Performance, Spectatorship and Abjection Talking With a Head: Tina Weymouth has a chat with Peter Culshaw [...]
Performance Magazine: a reprise in pictures The City and its Double An A-Z of Order and Change: a poetics of the city The Logic of the Visible: J G Ballard inerviewed Moving Forward and Backward in Time: Cage and Cunningham reconsidered When That Hammer Starts to Beat: The sounds of steelcity Ex-Cathedra: Richard Demarco on [...]
Between Windscale and Wordsworth: John Fox interviewed by Baz Kershaw Process and Chaos: J M Findlay watches Tadeusz Kantor in rehearsal Something Material: Nick Kaye on the conflict between producty and process Somebody Should Tell the Emperor: Simon Herbert argues for a return to basics A Series of Changes All The Rage: Malcolm Dickson looks [...]
From Rag-Bag to Riches: Brighton Festival '88 Tina Keane: a profile Taking a Line for a Walk: Marina Abromovic/Ulay interviewed From the Private Wars of Howie Long: recovered from GQ Magazine Speaking Without Ruses: John Roberts on male sexuality The Invisible Man: Notes on male sexuality by Kate Love Under God: Scenes from the End [...]
Readers Survey - Results Life After Living: Steven Taylor Woodrow's new work Resistance, Rewind and Rant: The climate for video art Getting to Grips with Guerilla TV: the past and future of the pirates Spinning Wildly or Standing Still: high tech vs the new minimalism Stating the Art: Interview with John Wyver The City and [...]