Of Knowing and Haunting the World: The Gnostic Art of Brian Catling The Battlefields of Love: Insights in the Work of Roberta Graham The Last Avant-Gardist: John Latham's Holistic Vision The Confines of Power: Denis Masi's Recent Wall-Works Collaborations: An Interview with Philip Glass Mask, Role and Narrative: An Interview with Joan Jonas Departure: The [...]
Locating Goat Island: Converations with Matthew Goulish and Lin Hixson Jeff Koons and the Art of Deal: Marketing (as) Sculpture Bouncing Back the Impulse: An Interview with Richard Foreman Exploring Sexuality Anew: Erotic Films by European Women The Meaning of Ecstasy John Cage: Europera 3 and 4 East Country Yard Show Fran Cottell: Double Interior [...]
Of Cats, Dreams and Interioe Knowledge: An Interview with Carolee Schneemann A Profile of Egon Schrick Ritualism and Renewal: Reconsidering the Image of the Shaman Window on Performance: The Poetics Of Space Harpo's Challenge: Performance Art and the Reinvigoration of Opera Display Teams at Southampton: Divergent Definitions of Performance Station House Opera: The Bastille Dances [...]
Showing The Wires: Julian Maynard Smith interviewed The Time Has Come The Walrus Said: Simon Penny on Art in the age of the thinking machine Breaking The Frame: Nick Kaye on the use of extremes in performance art Epilepsy: Performance, Spectatorship and Abjection Talking With a Head: Tina Weymouth has a chat with Peter Culshaw [...]
Flux-Hunting: The Uncertain in Pursuit of the incomprehensible? The Big Dipper: The Legacy of Arte Povera The Picturesque Ruins of the Situationist International Reflections: Video Sculpture Past and Present Glanz und Elend: Die Multi-media Kunst von Marie-Lo Lafontaine Dance Away the Frontiers: New Dance Work by Four European Women Nancy Reilly: Professional high Lindsay John: [...]