Issue 43 Sept/Oct 1986

Issue 43 Sept/Oct 1986
Contents

• Close to the Horns: Ross Finn-Kelcey, a profile by Jeni Walwin (Article)
• Artists in the Theatre: a historical outline by Sara Selwood (Article)
• Entranced by Butterflies: Lumiere and Son - an opinion by Steve Rogers (Article)
• Furniturisaton: A Suitable Case for Treatment by David Briers (Article)
• Carnival Logic: An Analytical View by Wilson Harris (Article)
• Speculation on Memory: Stuart Brisley in Glasgow by Rob La Frenais (Article)
• Imaginez: The Fridbourg 'Belluard Bollwerk' by Tara Babel (Article)
• Suspended Animation: The Venice Biennale by Chrissie Iles (Article)
• North V South: Polveriginteatro Festival by Honey Salvadori (Article)
• Ars Electronica: New music and performance at Linz by Simon Biggs (Article)
• Polyphonix: Performance and soundwork in Paris by Simon Herbert (Article)
• Off the Beaten Track: Round London's Student Shows by Nick Houghton (Article)
• In Sea: Bow Gamelan Ensemble at the ICA by Rob La Frenais (Article)
• Daylight: New Performance Club by Bill Mills (Article)
• Eye Music and Charting Time: At the Serpentine by Peter McRae, Nick Houghton (Article)
• Synchro Cycling: A Night in Bike City: Charlie Hooker by Robin Morley (Article)
• Performance Art Talks: Think Tank Report by Jane Jackson (Article)